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The Yellow Birds Kindle Edition

3.9 out of 5 stars 2,324 ratings

WINNER OF THE GUARDIAN FIRST BOOK AWARD

NATIONAL BOOK AWARD FINALIST

NEW YORK TIMES BESTSELLER and BOOK OF THE YEAR

'Extraordinary . . . a must-read'
Guardian

'A masterpiece . . . a classic'
The Times

'A stunning achievement'
Sunday Times

'Remarkable . . . every line is a defiant assertion of the power of beauty to revivify' Hilary Mantel

'Harrowing, inexplicably beautiful, and utterly, urgently necessary' Ann Patchett

Everywhere John looks, he sees Murph.

He flinches when cars drive past. His fingers clasp around the rifle he hasn't held for months. Wide-eyed strangers praise him as a hero, but he can feel himself disappearing.

Back home after a year in Iraq, memories swarm around him: bodies burning in the crisp morning air. Sunlight falling through branches; bullets kicking up dust; ripples on a pond wavering like plucked strings. The promise he made, to a young man's mother, that her son would be brought home safely.

Written with profound emotional insight, especially into the effects of a hidden war on families at home, THE YELLOW BIRDS is one of the most haunting, true and powerful novels of our time.

A
NEW YORK TIMES, INDEPENDENT, TIMES, TLS, EVENING STANDARD, SUNDAY EXPRESS, GUARDIAN, SCOTSMAN, SUNDAY HERALD, IRISH TIMES BOOK OF THE YEAR

Product description

Review

"The Yellow Birds is harrowing, inexplicably beautiful, and utterly, urgently necessary."--Ann Patchett

"An exquisite excavation of the war's moral and psychological wreckage. Powers evokes the peculiar smell and feel of the war better than any journalist."--
The New Yorker

"We haven't just been waiting for a great novel to come out of the Iraq War, our 21st century Vietnam; we have also been waiting for something more important, a work of art that illuminates our flawed and complex and striving humanity behind all such wars. At last we have both in Kevin Powers'
The Yellow Birds."--Robert Olen Butler

"This is a novel I've been waiting for.
The Yellow Birds is born from experience and rendered with compassion and intelligence."--Alice Sebold

"Reading
The Yellow Birds I became certain that I was in the presence of a text that will win plaudits, become a classic, and hold future narratives of the war to a higher standard....a superb literary achievement."--Chris Cleave

"Remarkable for its intensity of both feeling and expression. In this book about death, every line is a defiant assertion of the power of beauty to revivify, whether beauty shows itself in nature or (later) in art. Graves, Owen, and Sassoon would have recognised this war and the strange poetry it has bred."--
Hilary Mantel

"
The Yellow Birds might just be the first American literary masterpiece produced by the Iraq war."--Los Angeles Times

"Darkly beautiful....How to tell a true war story if you're more a poet than a novelist? Tell it as a poet would. Tell it as Kevin Powers does."--
Alan Cheuse, NPR's All Things Considered

"A classic....Powers's first novel is full of boys, bile, bark, bodies and bewilderment....shows Powers's power to build suspense with substance and sensitivity."--
Military Times

"Every sentence of
The Yellow Birds is something to marvel over, the words flashing and chiming like spent brass casings. Kevin Powers, who served as an Army machine gunner, has written one of the best books of the year, what could become the definitive novel about Iraq."--Benjamin Percy, Esquire

"Veteran Kevin Powers's searing debut novel brings the Iraq War home in compelling detail....
The Yellow Birds is luminous...an indispensable portrait of the Iraq War and its impact of those who fought it."--Men's Journal

"A novel of grit, grace, and blood by an Iraq war veteran....Kevin Powers moves gracefully between spare, factual description of the soldiers' work to simple, hard-won reflections on the meaning of war."--
Ron Charles, Washington Post

"A remarkable first novel...
The Yellow Birds is brilliantly observed and deeply affecting: at once a freshly imagined bildungsroman about a soldier's coming of age, a harrowing story about the friendship of two young men trying to stay alive on the battlefield in Iraq, and a philosophical parable about the loss of innocence and the uses of memory...Extraordinary."--Michiko Kakutani, New York Times

"Compelling, brilliantly written, and heart-breakingly true,
The Yellow Birds belongs in the same category as Tim O'Brien's The Things They Carried and Norman Mailer's The Naked and the Dead. Thus far the definitive novel of our long wars in the Middle East; this book is certain to be read and taught for generations to come."--Philipp Meyer, author of American Rust

"Kevin Powers'
The Yellow Birds is written with an intensity which is deeply compelling; every moment, every memory, every object, every move, are conjured up with a fierce and exact concentration and sense of truth."--Colm Toibin

"Powers has created a powerful work of art that captures the complexity and life altering realities of combat service. This book will endure. Read it and then put it way up on that high rare shelf alongside Ernest Hemingway and Tim O'Brien."--
Anthony Swofford

"In the great tradition of Hemingway and Tim O'Brien, Kevin Powers's exquisitely written
The Yellow Birds draws us in to the combat zones of Iraq: the watch, the wait ("Stay alive, Stay alert"), the bungle, the slaughter, and the irreparable aftermath."--Edna O'Brien

"An unusually spare and lyrical war story....The characters are sketched with as much heart as economy...Like the Iraq heat, which 'had the surprising effect of reducing one to tears in an instant, '
The Yellow Birds skulks along, detached and undemanding, until all of a sudden you turn a page and find yourself weeping."--GQ

"The first great Iraq War novel."--
Darren Reidy, Rolling Stone

"A first novel as compact and powerful as a footlocker full of ammo....Kevin Powers has something to say, something deeply moving about the frailty of man and the brutality of war, and we should all lean closer and listen."--
Benjamin Percy, New York Times Book Review

"An elegiac, sober, and haunting coming-of-age war story."--
TIME

"The
All Quiet on the Western Front of America's Arab wars."--Tom Wolfe

About the Author

Kevin Powers is the author of The Yellow Birds, which won the PEN/Hemingway Award, the Guardian First Book Award, and was a National Book Award Finalist, as well as Letter Composed During a Lull in the Fighting, a collection of poetry. He was born and raised in Richmond, Virginia, graduated from Virginia Commonwealth University, and holds an MFA from the University of Texas at Austin, where he was a Michener Fellow in Poetry. He served in the US Army in 2004 and 2005 in Iraq, where he was deployed as a machine gunner in Mosul and Tal Afar.

Product details

  • ASIN ‏ : ‎ B008MSI98C
  • Publisher ‏ : ‎ Sceptre (6 Sept. 2012)
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1.5 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 241 pages
  • Customer reviews:
    3.9 out of 5 stars 2,324 ratings

About the author

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Kevin Powers
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Kevin Powers is the author of The Yellow Birds, which won the PEN/Hemingway Award, the Guardian First Book Award, and was a National Book Award Finalist. He was born and raised in Richmond, Virginia, graduated from Virginia Commonwealth University, and holds an MFA from the University of Texas at Austin, where he was a Michener Fellow in Poetry. He served in the US Army in 2004 and 2005 in Iraq, where he was deployed as a machine gunner in Mosul and Tal Afar.

Customer reviews

3.9 out of 5 stars
2,324 global ratings

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Customers say

Customers find the book thought-provoking, with one review noting its acutely observed sense of exhausted reality. The writing receives praise for its beautiful poetic prose, and customers appreciate its evocative account, with one highlighting its vivid descriptions of nature. The story quality receives mixed reactions, with several customers noting its lack of depth, while the pacing is described as slow.

AI-generated from the text of customer reviews

73 customers mention ‘Thought provoking’56 positive17 negative

Customers find the book thought-provoking, with its poignant subject matter and extraordinarily insightful conclusion, and one customer describes it as a perfectly structured traumatic read.

"Beautiful, beautiful book. Lyrical prose, emotional intelligence by the bucketload and further evidence of just what a talent Kevin Powers is...." Read more

"...I found the juxtaposition of intense lyricism and visceral horror worked well - it rather reinforced the sense that, faced at any point with a..." Read more

"...It is accomplished, excellently written, and vitally important. Whatever your view of the war, I urge you to read it." Read more

"This book made me weep. It is a novel that will stay with me a long time and will re read again in the future. I agree with Hilary Mantel...." Read more

63 customers mention ‘Writing quality’55 positive8 negative

Customers praise the writing style of the book, describing it as brilliant and beautiful poetic prose that is taut and poetic, particularly in its portrayal of war.

"...the other hand, you like to linger over a paragraph and marvel at the beauty of the language and the almost heart-breaking empathy brought to bear..." Read more

"...I found the juxtaposition of intense lyricism and visceral horror worked well - it rather reinforced the sense that, faced at any point with a..." Read more

"...Power is a tremendously effective writer, with no word out of place, no paragraph put in as filler, in this novel that speeds along in flashback to..." Read more

"...Faultless and almost perfect. Read and cry. Reads like a memoir of war but in a gripping story, with vivid descriptions of nature, landscapes and..." Read more

16 customers mention ‘Evocativeness’16 positive0 negative

Customers appreciate the book's evocative writing style, with one customer highlighting its vivid descriptions of nature and another noting how it brilliantly expresses place.

"...The third is an amazing image which involves chalk marks on the cell in which Bart is staying and how they come to represent the bars rather than..." Read more

"...Reads like a memoir of war but in a gripping story, with vivid descriptions of nature, landscapes and the natural world...." Read more

"...to read, these chapters harrowing but clearly a vivid description of the ravages of war on one's mental, social and emotional well-being...." Read more

"...The returned-home scenes are marvellously gentle and yet clinical, especially when Bartle takes refuge in his mother's home and suffers a shame-..." Read more

7 customers mention ‘Power’7 positive0 negative

Customers find the book powerful, with one describing it as a quietly accomplished work.

"...one, this time in the form of a novel, which is every bit as raw and powerful and urgent, comes in the form of Kevin Powers' The Yellow Birds...." Read more

"A soldier's experiences in Iraq. Some powerful and vivid writing, highly rec for readers of first-person accounts of what it's like to fight in..." Read more

"This is a book that resonates and has power, above all it is believable...." Read more

"Powerful at times but I felt like there was so much more that could have been said. A very quick and abrupt ending." Read more

8 customers mention ‘Pacing’5 positive3 negative

Customers have mixed opinions about the pacing of the book, with several noting it is slow-paced.

"...One of the best books I have read in the last 20 years. Poetic, moving and beautifully crafted and written...." Read more

"...I thought the first half of the book was difficult to understand and very slow with not much happening...." Read more

"...Well written, moving and I am sure quite close, in some cases to a very real truth." Read more

"...it, this is 'poetry in motion' His descriptions are so wonderful and moving I could almost taste the desert dust and certainly felt I was..." Read more

28 customers mention ‘Story quality’6 positive22 negative

Customers find the story quality of the book unsatisfactory, noting that it lacks depth and has a very thin plot.

"...The novel didn't thrill me; nor did it outrage me, disgust me, move me or make me think too hard...." Read more

"...Big deal. Hardly a classic and certainly not a war classic...." Read more

"...Al Tafar was difficult to read, these chapters harrowing but clearly a vivid description of the ravages of war on one's mental, social and emotional..." Read more

"...Read and cry. Reads like a memoir of war but in a gripping story, with vivid descriptions of nature, landscapes and the natural world...." Read more

Top reviews from United Kingdom

  • Reviewed in the United Kingdom on 2 December 2023
    Beautiful, beautiful book. Lyrical prose, emotional intelligence by the bucketload and further evidence of just what a talent Kevin Powers is. It tells the story of a young man who serves in Iraq and finds it just about impossible to settle back in once he returns home. As premises go, this represents familiar territory, already covered in so many novels, but if it's been better handled I'd love to know the title and author because I'll be all over it like a shot.

    Three wonderful scenes stand out, and if you've read the book already you'll know what I'm talking about. One is Bart's initial return where he is being driven home by his mother and watching the familiar scenery flash past but is unable to stare at it for long without instinctively looking for potential cover he can use to hide from the enemy. Another is the death of a young female medic which causes Bart's only close friend out there to unravel completely. The third is an amazing image which involves chalk marks on the cell in which Bart is staying and how they come to represent the bars rather than the memories he's trying to store up. You've no soul if you read this without being deeply affected.

    I was absolutely blown away by this author's latest novel, A Line In The Sand, which I stumbled across a few months ago. This debut novel is just as impressive. It walked away with any number of prizes and deserves to bring massive recognition to a major talent. If you can't survive without a life and death crisis at the end of every chapter and huge coincidences which have less to do with real life than the need to come up with a killer twist, this may well not be for you. If, on the other hand, you like to linger over a paragraph and marvel at the beauty of the language and the almost heart-breaking empathy brought to bear by the author, go for it. I'm not sure I've ever read anyhing which brings home the torment of PTSD as effectively as this. I can't recommend him highly enough.
    One person found this helpful
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  • Reviewed in the United Kingdom on 12 July 2013
    The poetic title of the book is explained in two different places, once at the start, as a US Army marching song - which rather mirrors how stylistically Powers will deploy his writing style, and the other, far into the book, in an account which has some strong metaphorical subtext.

    And I'm explaining neither, as the reader needs to make their own discoveries.

    Kevin Powers was a GI, from Richmond Virginia who enlisted in the army, aged 17, and served as a machine gunner in Iraq.

    This is not autobiography, but it is the story of 3 young soldiers, aged 18, 21 and 24, and their experience in combat in Iraq. Its, if you like, a distillation of what war does to young men and women. In the end, to prove yourself a man in these situations, you must become less than humane. Aggression may be barely buried in us, but the act of killing another violates many taboos.

    The particular conflict is not the subject of the book, rather it is the darkness of conflict itself.

    Powers juggles timescales, a particular chapter and time of the 3 central characters, the unfolding story of 'what happened' to them, which we know is a cataclysm, intercut with various before and after sections.

    The story is seen through the lens of one of the three, who is clearly a distillation of Powers, a young man with a tough, poetic view, and a relationship of some mysticism with the physicality of the natural world.

    I found the juxtaposition of intense lyricism and visceral horror worked well - it rather reinforced the sense that, faced at any point with a pointless death, the senses must sharpen to stay alert to try and survive. Being as intensely aware of the moment as possible, fully present is of course what disciplines like meditation are about. Its about being absolutely with the present. So it doesn't seem in any way a contradiction that at one and the same moment the intensity of being aware of trees in a citrus orchard, and their beauty, and the horror of spilled viscera, should not collide.

    This is absolutely not a novel about the beauty or nobility of war - it is a novel about the beauty and nobility of life. Which war destroys.

    Do we need more anti-war books? Yes, until wars stop.

    I lost a final star on this excellent book because I felt some paring back, some cutting of the beautiful, lyrical writing would have made the power of its punch more intense.

    An example of Powers' intense writing :

    "We traveled with the sun, uncoupled from the dictates of light and dark for a little while. I watched the broad ocean spread out beneath me after the clouds thinned. I focused for what seemed like hours on crests becoming troughs, troughs tilting to become whitecaps, all of it seeming like the breaking of some ancient treaty between all those things that stand in opposition to one another"

    I very much appreciated the way in which meditations on the landscape serve to reveal that ever present sense of foreboding, of the central conflict between living and arbitrary dying
    4 people found this helpful
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Top reviews from other countries

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  • Bill Siegfried
    5.0 out of 5 stars W.G. Siegfried
    Reviewed in Germany on 13 January 2013
    I was very impressed with this novel as Kevin Powers writes like a dream and he gives his readers a very accurate impression of what it is like to be an American soldier in Iraq, which is what he says he wanted to achieve. Sending soldiers into another country is a recurring American nightmare as politicians never learn that the internal problems of other countries cannot be solved by the use of external force. The attitude of the American soldiers towards the Iraqis is as shocking as one would expect of young men, whose primary concern is returning home alive and undamaged, the latter being impossible as there is no way of escaping the psychological damage. As impressed as I was by this novel, I am even more impressed by Ben Fountain's "Billy Lynn's Long Halftime Walk". They are both very angry books and the anger of the authors is understandable as they have both seen combat, but the anger is expressed in different ways. Unlike Powers' novel, Fountain's take on the war in Iraq is mainly set in America, but Fountain's novel is much broader in scope and I enjoy the satirical tome.
  • Jim KABLE
    5.0 out of 5 stars War and Reality Detachment
    Reviewed in Australia on 25 May 2019
    Clarity of perspective - poetic even - from Kevin Powers - about the terrible effects on human beings of being in a war - of those who somehow survive - and of the civilians and comrades who endure the grieving for those sacrificed - for god alone knows what geopolitical or economic resources reasons. This is a classic piece of literature which should be required reading for all politicians/bureaucrats - especially those who have themselves never been near a war unless calling for them and sending others to them.
  • Mario Marola
    5.0 out of 5 stars Testimonianza di un reduce dalla guerra in Iracq.
    Reviewed in Italy on 28 February 2013
    Le soffferenze e i disagi, fisici e psicologici, di un giovane soldato americano in Iracq. Una testimonianza diretta che non troviamo nelle cronache dei telegiornali o dei quotidiani.
    Report
  • annamark
    5.0 out of 5 stars Magnifique,triste et inoubliable
    Reviewed in France on 4 October 2013
    Histoire de guerre très forte, écrite comme un reportage, mais qui est un roman - quand même écrit par un tireur de l'armée américaine qui a passé du temps en Afghanistan. Sur les horreurs de la guerre vécues et décrites par un jeune soldat et sa difficulté de retour à la vie 'normale'. Ses belles descriptions des paysages contrastent fortement avec la brutalité de la mort et le coût en vies humaines. Extrêmement bien écrit. Très émouvant, car les soldats sont tellement jeunes et la guerre qu'ils découvrent ne correspondent en rien à ce qu'ils pensaient quand ils sont partis 'servir leur patrie'.
    Chose importante - il vaut mieux le lire en français si vous ne parlez pas anglais parfaitement , car il est très riche en vocabulaire et ce sera vraiment dommage de ne comprendre que les grandes lignes.
  • Emma
    5.0 out of 5 stars Amazing, superb, elegiac
    Reviewed in the United States on 29 May 2013
    I thought this was a war story and passed it up. I thought this was a coming of age story (not that again) and passed it up. I thought it was a story of friendship and loss and passed it up. Any such descriptions, and they're all on the book jacket, are not just sophomoric but overly simplistic if not anachronistic.

    This is a story of love, shock, horror, shame, obligation, hurt, perseverance, redemption and so much more -- told against the backdrop of the Iraqi war. How do we understand these things? How do we reconcile them? As one example Powers writes, how can one be congratulated--lauded as a hero even, for killing people?

    This is a book both fine and provocative. Not only is it slender and elegant in its narrative, but the writing is elegiac. I found myself reading sentences, paragraphs, not once but several times, savoring the images which changed with Kaleidoscopic ease as I read them again and again; the writing is that good, both savory and sweet.

    If there was any weakness, it was because the writing was not entirely disciplined, crossing the line from literature to poetry and back again, blurring the lines between story telling and didacticism--but the writing was so beautiful I did not mind. And then the was the story, bouncing from past to present, the tension mounting towards a suggested denouement, somewhat anticipated, somewhat not and most fortunately somewhat ambiguous (I hate when a writer fills the loose ends, finishes every thought, leaving nothing to the imagination--as if the reader is too unintelligent to come to their own conclusions).

    This is not just a good book, it is a great one. If this is Power's debut novel, I can't wait to see what comes next.

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